I was supposed to be prosecuting him.
The man. The man from the porno I’d watched before I went to sleep, just after an episode of The Practice where Helen Gamble screws up a prosecution.
We were having our final meeting… in the showers. I, fully dressed, and he, shirtless, standing on the moist tile in one of those rectangular indentations in the wall that they call privacy. His hair was longer, fuller in my dream, and his skin was darker—golden brown. His expression had a constant, feral quality to it. His dry, thick locks shadowed his glowing eyes and threatened to overwhelm his rounded, muscular shoulders.
Even in my dreams, I don’t know what I feel when I see a man who, by some paradoxically arbitrary intuition, I know to be attractive. It touches me in some way. It definitely does. Yet it’s… different. An emotion that society has given me no explanation for, in any movie or on any billboard. I’ve tried projecting myself to inhabit these men, I’ve tried to stalk them—I’ve even tried to fuck them. In the end, nothing can bring me satisfaction but to write them somehow, and it makes me question where the edges of my self meets reality.
Anyway. We were in the shower. And he had a certain… persuasive power over me.
I’m innocent, he insisted—though with more words. And more… penetrating glares.
I took him in—this man who strained at the handcuffs behind his back like a dog on a leash, exuding in all his powerful glory the aura of something wild, something violent, laughably masked by an elegant exterior.
…If I do this, it’s the end of my career. You realize this? It would be such an insane attempt, to sneak you out of here… and if we are caught, I’m going right in that slammer with you. Don’t you see?
If eyes could be pleading and demanding at the same time, his were.
In the dream, I disappear from the moment. I have coffee with Kimi—or some phantom made to represent her. I discuss, rationally, this conflicting choice I’m up against at work…
…and after much debate, I return to him, inflated with emotion and responding, Yes, yes, I believe that you are innocent, I’ll risk this…
So I sneak him out of the courthouse.
And for some insane reason, by some narrow statistic, it works.
The next step is simply to get as far away as possible. We’re stowaways on trains, and we trudge through graveyards and secret science research facilities in spooky scenes that were lost upon awakening.
Anyway, by the time we reach the countryside, he’s much more of a background character. By that point, too, it’s apparent to me and to everyone (my subconscious has picked up an ensemble cast) that he is indeed guilty of his crime. That he is a clever, clever murderer, as dangerous and persuasive and guiltless as a vampire. We’re all quite careful and wary of his presence, but thankfully, as soon as we arrive at this little train-stop in the middle of nowhere, he runs for it—up, up and into the forest.
The forest of Klæbu that I’d been fantasizing about, just before falling asleep. I’d been giving a speech to someone in my head—how that forest isn’t just, “You walk walk walk and you’re like, Oh, a tree!, and then you walk walk and Oh, another tree! No, this forest has personality—it’s the sort of forest where all the trees have faces, and you can’t go more than a few steps without seeing a nest or an ant hill or the remnants of some pinecone farm made with cotton and matchsticks. There’s even the occasional troll or two.”
This forest bordered the edge of the sloping wheat field that had essentially served as the back yard for the house that my father lived in when I visited him as a child. My siblings and I had gone sledding down that impossibly long-backed hill…
For now, I was grouped up in a small shop with my ensamble.
They weren’t Kimi or our characters per se… but rather, miraged approximations of them—faceless embodiments of certain voices and characteristics that bespoke familiarity, without providing an exact name. Either way… I was very, very close to these people.
And of course we were in a magic shop.
This was the sort of place where every little object and shadowed corner was imbued with an evil energy, and most certainly out to get you.
One particular box that we opened—large, circular, colorful; the sort of box you might find popcorn in if it weren’t so people-sized—contained a life-sized dummy of… how do I even describe it? Some weird, sparkling amalgamation of a jester and a Venetian masquerader, with just a touch of clown. Female.
It was partly in pieces- but its eyes popped open in that wooden, artificial way that dolls’ eyes do, and she sprung from her box, laughing and intent on murder.
In case you’re not getting the vibe, here, this doll was pure, unadulterated evil… and she was coming after me with a small, emerald ax—her toy glitter glimmering off its very real edge. All around me, people were scrambling, trying to attack her—trying to find a way to put the beast back in its box. It was no use, however, as she was bonelessly limber and endowed with preternatural speed.
When her glossy, unmoving eyes gazed into mine, they seemed to pierce me with their bloodthirst. And the true evil of this thing was that when we gazed, when our souls met, I detected no hint of madness in it. This was its rightful nature: to mock and to maim and cause suffering. It longed for the heat of the broken skin; the crunch of bones, the pitiful gurgle of screams… and it was made for nothing else. Pure and uncorrupted murder.
The most disturbing part of all was that no mortal wound seemed to slow it down.
At one point, I managed to get a hold of its axe—but although I hacked and I hacked, slicing through its dry plaster skin, it showed no flinch of pain or disability. It came at me with undiluted strength even as its arm was in frills and its face in a crooked tic-tac-to.
“No love! No love!!!” it screamed at me. It lunged to break me with its bare, cold hands.
That put a glimmer of an epiphany in me. A little flicker: something remembered, something understood.
“Its heart!” I screamed. “Destroy its heart!”
I hacked and hacked and hacked at the center of its chest, but it only roared with laughter. Where is its heart?! It’s hollow!!!
Its creaking fingers toward my neck—its terrible hollowness of being… its deformed grin…
Crack.
My companions found her heart. A simple, glitter-red shape of plaster on a stick, which they presently shatter with ease. The ugly creature only has time to rear its head in protest before it collapses like so many snipped strings. A simple marionette, lifeless.
“Alright… let’s get this thing back in its box.”
It felt so strange to handle it after that. To touch its face, its limbs—to tuck it back where it belonged, without feeling as though its teeth would make stumps of my fingers whenever they came near. But no, it slept, with a lifeless stare.
“….-when I’m alone, when I really need-…”
I realize that Kimi is talking. Not the phantom Kimi in my dream; a Kimi from the outside, who seems to be coming like the booming voice of God from the domed ceiling of my contained dream-reality.
“…-I find myself talking to Duo. To you. When I’m in my head. When I need-…”
I physically toss and turn in my bed, and almost growl out-loud, “No, Kimi wouldn’t say that.” This, just like yesterday, is what wakes me up. (Except that yesterday, I dreamed that I got an IM from her, where she started saying absurd things like this, and the screen seemed to fill my entire perception of existence.)
I wonder if that murderer I set free ever got caught. Then again, it’s probably best not to know. Now that the illusion is broken, I get the feeling that if he ever catches me alone again, he’ll stab me.